White female with long dark hair lying in a shallow brown muddy stream wearing only sandals and a long brown skirt

Sinéad O’Donnell

SINÉAD O’DONNELL | Red Clay Twin | Brazil, 2018  

Sinéad O’Donnell works in performance, installation, site and time­-based art. She has studied sculpture at the University of Ulster, textiles in Dublin and visual performance and time-based practices at Dartington College of Arts, U.K. She was lead artist and curator for an ‘Unlimited’ commission entitled CAUTION as part of the London 2012 Festival. Sinéad received Major Artist Award in 2017/18 from Arts Council of Northern Ireland.

Her work explores identity, borders and barriers through encounters with territory and the territorial. She sets up actions or situations that demonstrate complexities, contradictions or commonality between medium and discipline, timing and spontaneity, intuition and methodology, artist and audience. She uses photography, video, text and collage to record her performances.

She often uses her body to investigate both her own and cultural boundaries, particularly in relation to the restrictions placed on women. Despite deliberately avoiding the sensationalisation of the body, her works often promote strong reactions and emotions.

Sinéad's practice is nomadic and travel has broadened her cultural perceptions and influenced her artistic sensibilities regarding time and space. She is active on the Belfast performance art scene working with local organisations to foster performance art activity and supporting emerging artists in her community. Curating artists, exchanges, projects and exhibitions between Northern Ireland and Canada, Chile, Croatia, Germany, Guatemala, Dominican Republic, Ireland, Japan, Iraq, Montreal, Peru, Transylvania region Romania, Scotland, Serbia, Singapore, Thailand, Poland, Peru, Montreal and U.S.A.

Pronouns: She/Her

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