Participated in performance art workshops with Margit Leisner, Fernando Ribeiro, Monica Galvão e Ricardx Nolascx (Brasil); Tamar Raban, Gili Inglis e Anat Schen (Israel); Alexander del Re, Verónica Cruz e Héctor Ibáñez (Chile); Marilyn Arsem (EUA) Sinéad O’Donnell, Chumpon Apisuk, Sutasinee Karnsomdee, Mike Hornblow and Padungsak Kochsomrong (UK/TH).

Residencies: Bauhaus-Universität (Weimar, 2010), Hochschule Wismar (Wismar, 2013) and Pivô (São Paulo, 2020).
Participated in 39a e 42a p.ARTE (Curitiba, 2018 / 2019), Festival de Performance ZAZ na Bamat Meizag (Tel Aviv, 2017), da Temporada de Per- formance – Festival de Teatro (Curitiba, 2019), do Festival Temporal (Assunção, 2019), Festival Lacração (Vitória, 2019), Festival de Performanc- es da Galeria Transparente (Rio de Janeiro, 2019) e Festival Corpos Críticos 02 (Rio de Janeiro, 2019); the 25o aniversário da Bienal Internacional de Curitiba (2018), Semana de Performances – Bienal Internacional de Curitiba (2017/ 2019) and BIFPA – Ulster University (Belfast, 2021 e 2022).

I make performance art
in non human time scales: the time of things.
I combine objects through non-hermeneutic actions establishing an object vocabulary as I (re)use them in a series of domestic performances, tensioning fixed points and gaps for experimentation.
Step by step, with no storytelling one action leads to another in response to a relationship with the world based on presence (and absence) not on meaning.

EDUARDOAMATO.NET